Quote:
Originally Posted by earforce
My approach is to have 3 reverbs for a mix as sends effects. A ambience for all instruments and vocals for getting a common room for all. Like a band plying together in a common room. A second reverb with some room information and and a third with a hall reverb for sustain.
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There is no best way for reverbs. I add reverbs as I need them, sometimes I will have only
one, sometimes 3 or 4. On the project I'm working on right now I've got 6 verbs.
Also I take little credence in the names of the IRs, the names basically give a clue as to
the color of the IR. That doesn't mean I won't use an IR labeled for drums, but actually I
seldom do.
It's all subjective, but over the years I've come to prefer an algorithmic plate for vocals,
I've got the Waves TruVerb that I like for this, mainly because I'm used to it.
For convoverbs, I use "ReaVerb" and "Reverberate" by LiquidSonics. The IRs I pick depend on
what I'm trying to do. The length and color are the most determining factors.