So now that we have compensated pans available...this is still better if only used for mono tracks, right? (And I know they're the same in REAPER, but I mean tracks with audio that is essentially 1 channel). There is still one problem with 'Compensated Pan Laws'..the one huge reason was to get away from that increased gain effect, thus why so many DAW's use -3, -4.5, & -6 dB attenuation at the center point. Since you can not see the affects of mono summing until it's either been done or by listening to your master mix in mono, you want to do all you can to prevent hitting 0 dBFS.
Last edited by labyrinth; 06-10-2008 at 09:17 AM.
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