Quote:
Originally Posted by superblonde.org
I am not suggesting anyone change tuning systems, what we have today is what we have, although with MIDI instruments, I don't see why tuning couldn't be changed on the fly, or in synchronization with music, so that true tuning could be realized.
|
I know of a few people playing guitars they've had built with 19-TET or 22-TET tuning systems to attempt to get as close to just intonation as they can while still being able to play 12-TET material (particularly with the 19 TET guitars), and when I hear it, it sounds off. Not bad, but not what I'm accustomed to. I may adjust to it with more exposure, but this could be why it is not more common today - no one has enough exposure to it for it to sound correct.
Quote:
Originally Posted by adXok
That is subjective opinion based on what comparison? Have you tried an alternative, anything other than that, or you are afraid to spend the same amount of time learning about that? Guess, I can ask you the same question (ignore, if you haven't learnt the staff notation language)
which one is this note?
|
It's a quarter note.
In order to name a pitch, we need more information, as it could be a C (bass clef), a B (alto clef), an A (treble clef), or one of several other notes depending upon which clef is indicated.