Quote:
Originally Posted by Judders
I've included renders of the bass drum in mono and stereo, unprocessed, through one instance of ReaEQ with 1 oct bandwidth high pass at 50Hz, then through 3 instances of ReaEQ at those same settings. This was to simulate a "must high pass everything" attitude going from channel to bus to master.
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Running the source through three instances helps make the sound obvious, but how often is that done in practice? Surely people are high passing at the individual track level, either during tracking or during mixing, and not multiple times. If the first instance doesn't give you what you want, just use a different corner frequency or a steeper filter slope.
Quote:
Originally Posted by Judders
don't set anything by default, and judge on a case-by-case basis.
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Definitely.