Quote:
Originally Posted by karbomusic
Good to hear Tod.  |
Thanks Karbo, what finally convinced me to get the Sonarworks mic is that I always thought my monitors lacked a little warmth.
So I shot the room with pink noise with the Sonarworks plugin in line going out to my speakers. I recorded both the left and right speaker separately, then looked at them in Span. I could clearly see where the warmth was missing.
So I EQed both the left and right to get somewhat of a straight curve, and when I added the EQ to Reapers Monitor FX output, I could also hear the difference and I rather liked it.
But now I wanted it in the Sonarworks Systemwide too, So I inverted the EQ and used that in line, while I measured the room again with Sonarworks. As you can see in the picture below, it really flattened out the curve quite a bit.
when I get time I'm going to shoot the room with pink noise again to see what this new profile looks like with my new Sonarworks microphone.