Quote:
Originally Posted by jm duchenne
And perhaps, by chance, more than 64 channels busses will be one of the easier tasks?
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Good suggestion. This also allows for parallel work done for two high-channel formats in the same track, which might be needed if one works on Dolby Atmos and classic Ambisonics at the same time, to support different deliverables (i.e. cinema and 360 video).