Very interesting approach, especially using the resonance of the high and lowpass filters.
Quote:
Originally Posted by Ollie
Not meant to nitpick, just FYI: your mic seems to have some pronounced proximity effect, making your head movement/distance quite obvious (since the effect is missing at some points, which made it necessary to use much more (low band) compression to clamp the lows. More distance to the mic (avoiding the effect at all) and dialing it back in using EQ and compression would get a more homogenous result. Also, I feel I got carried away a little.
A gate is taking away some of the breathing as well here, then EQ, ReaComp and ReaXcomp are set up spontaneously and without much of a plan, a limiter makes up for lost gain and prevents clipping.
Right-click this (and select "save linked content as" or similar) to download .RPP.
|