In a case like this where you'd only be streaming a single, prerecorded track, you might be able to compensate for the streaming latency, but only if you could predict it. I don't know how consistent that might be, though.
I find myself wondering what y'all are doing over there at FOH? My band is mixed when we show up. I send a redundant dual mono signal to the FOH and all there is to do is adjust the SPLs. If there's somebody else "running sound" for the gig, I tell them "turn it up and blame me". That's if I don't just bring my own amps so I don't have to worry about them.
Oh! Drums. Yeah. It's always the fucking drummer! Drum triggers are the right answer, but nobody wants to try to tell the gorilla that.
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