In addition to the tips above, I'd try throwing a good tape saturator on everything in sight. I tend to use Antress ModernAnaloguer a fair bit, and there was a good from Bootsy that escapes me at the moment. Start with a medium amount of saturation/color/compression at any point where you'd have a mic in real-life (after guitar impulses, after drum samples, on the drums' "room" track, etc), and then put some on the master for good measure.
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