Quote:
Originally Posted by Softsynth
That applied to instruments and FX too, such as the original version of the DX7 ( 12 bit and noisy) and Lexicon's Prime Time delay with its characteristic lo-fi delayed signals being a memory saving exercise that gave it a kind of warm almost tape delay like quality.
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Yeah man.
This thread has made me think of how great the Fairlight and AMS RMX16 sounded in Kate Bush's work.