Quote:
Originally Posted by MusoBob
Em7#5
Cadd9
Caug
Caug7
C5
G#dim7
CMaj7#5
FMa7b5
E7b5
A#9b5
G7add13
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Some of these don't make sense to me, not given what i am familiar with.
Why would you #5 on a min 7 chord? Em7#5 is the same as Cadd2, which is the same as Cadd9.
Usually the 7 is implied, so most players will think Caug7 if you just say C augmented. Augmented and #5 are the same thing. Cdim and Cdim7 are usually thought of the same. Jazz and blues players almost always play the 7.
Nobody says Major 7 flat 5, flat 5 is always stated as #11 when the chord is Major or dominant. E7b5 is E7#11.
Never heard of #9 and b5 in the same chord. That's a diminished chord.
Cmin7b5 is known as half diminished, and if you double b the 7 then it is full diminished.
I've just never heard things stated that way before, but most of the chords you list are standards, as far as I know.