Quote:
Originally Posted by serr
Yeah, we're just going to have to agree to disagree!
I see much less work and a simple straightforward workflow here. Obviously you do too on your end.
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I came from using multiple DAW tracks for takes in 1998 beginning with Logic, it is terrible in comparison. If you could provide an example (possibly in it's own thread) of tracking 48 tracks, with multiple takes each, including 12 tracks of live drums with multiple takes of those + the remaining tracks of overdubs done at different times also with lets say 3-20 takes each, all chopped up at different times per take across the timeline (aka lots of spits per item), all of that handled with new take = new track… I'd be interested in seeing how it could even remotely compete.