What I liked in his approach, he was the first person I saw using the available triggering options properly in Live. Most people just put a sample and trigger it, ignoring all the possibilities, he did not ignore, instead found a musical way, which is indeed complex to setup, as Ableton Live does not allow easy Excel like building of those scene data. There should be a .csv export/import of scene formula, so you could write in Excel or later quickly do modifications in any text editor. But Ableton Live is not Reaper. Ableton Live is a prison DAW.
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